Feedback

Good reflection on the CD digipak design with evident evaluation.  I like the way that you reflect on the use of audience feedback, but I feel that you could have developed this in more detail.  I also like the way in which you make reference to real media products - existing artists and consider how this influences the concept for your digipak. Well done.

Evaluation of CD DigiPak and Poster

When coming up with idea for our CD cover design, we had to think about the conventions used in the design for each. When it came to the CD digipak we really struggled to decide upon a final idea. In the end we chose to follow along the lines of pop art as it seemed to fit a similar era of music. We wanted to make the CD cover eye catching so that people would be more enthusiastic to buy the CD, especially as she is a new artist. We knew we needed to make it colourful and therefore stayed away from using black and white which was one of our ideas. For the poster we wanted to focus on the main girl in a way to show her off as she was the main artist and what we wanted to promote. For this we came up with a few different images that would be released so people could either collect all 3 or choose their favourite. We needed to make her name big on both the cover and magazine as she was a new artist and therefore just an image would not be enough information for the public.

When looking at existing media products, we saw a Michael Jackson cover for his album 'jbhfujebgjre' which we took great inspiration from. The cover was eye catching and interesting and looked at iconic images from the style of pop art from Andy Warhole. We thought that this would be appropriate as the Artist Marylin Monroe had a famous image done by Andy Warhole which is one of his most iconic pictures. Our star would target a similar audience and style, therefore we thought using pop art would be an interesting twist and take on history - the idea of mixing the old with the new. here is a link to an article that describes the idea behind pop art: http://en.wikipedia.org/wiki/Pop_art

We started off the design process by drawing our what we wanted the CD cover to look like, this helped us when it came to the photoshoot as we knew which shots to take and how we wanted them to be edited. When creating the poster and CD cover we used Photoshop to adjust the image and edit them appropriately. We first airbrushed the image buy doubling the layer and erasing any blemishes, this creating a flawless look (which was also fitting of the style of women in the 1920's). Once we had done this we adjusted the light to create a vintage look for the Cd colour, this is when the idea of having a pop art style came about. We created many different coloured versions and then picked out our favourites that would make it onto the final digipak. Here is a photoshop tutorial which highlights some of the tools we used to create our final products:

I think that we have highlighted the era our star is surrounding very well through use of costume and photstyle along with the editing we did to create the final image. When it came to highlighting the difference between old and new as we wanted to, we decided to use the old style image but with bold colours surrounding it and the theme of pop art.

Both products would appeal to our target audeince as they show off sophistication, style and glamour. They would be eye catching for those who like dance or techno music as they are bright and colourful, and the style and shot choice for the image would be appealing to those who preffered the old part of her music.

If i could change anything about the products, i would add more images to make it more interesting and less repetitive; although this does highlight the style of our video too. I would maybe add some silhouettes to the image as they also feature heavily in the video realease of the single.

Over all, i think our chosen images match the style of the music and the star image we wanted to portrey for the artist very well and the products are both eye catching and interesting.

Feedback

This is a good diary account of the shoot day.  You need to consider how the images could be better presented, other than simply uploaded to blogger.  There is much on how the day progressed, but you  also ned to consider what role you had in the shoot in terms of set design and camerwork.  Did you direct any shots for examples, were there any significant moments for you in production?

CD Pack and Poster Idea

CD Cover Idea

Poster Idea:

We had the idea of creting a few different posters for people to collect:

Treatment of CD cover and Poster

For our CD pack we had a few ideas that we tried out using photoshop.

The first idea was of using a different image for the front and back covers. The first would be of the main singer only, we wanted this picture to be a close up with her in her 1920's costume and hair and make up. It would be edited using photoshop to manipulate the colour and make it look more like an old photograph rather than a CD cover. The name of our artist would appear vertically down the side of the front cover in a fancy red font.

The back cover would be a photo of the main singer and the 4 dancers, this would be on the set of the video with the pillars in the background to add sophistication to the image. We would write the track names vertically down one of the pillars in a red or black font, this would contrast with the older style and colours of the image.

The middle page would show the lyrics of the song on a plain black background, the text would be in red font.

IDEA 2

Our second idea would use the image of the front cover from the previous treatment, except the colouring would be different, we would make the image more like Andy Warholes pop art of Marilyn Monroe. Then for the back cover we would use the same image but again change its colouring, this would occur through each face of the pack. This idea came from a Michael Jackson album cover that we happened to stumble across whilst searching for ideas.

AFTER TRYING BOTH, WE DECIDED THAT WE LIKED THE POP ART VERSION BETTER, AS IT WAS MORE APPEALING TO THE EYE AND WOULD ATTRACT MORE PEOPLE TO BUY THE CD.

THEN! For our poster to promote the CD, we wanted to use an image of the main singer, slightly different to the one on the CD cover and make many different versions of this for the fans to collect.

We wanted to have a portrait image of the singer taking up the majority of the poster, and then separate sections of the poster into blocks of different colours.

We would make different versions of the colours for example, bright neon colours, black and white, greys and pastel colours. These each compliment a different element of the artists star image, a theory Dyer highlights in particular.

List of Shots Taken on Shoot Day

Whilst on the shoot day we managed to take some notes with which shots we filmed in which order. This list will help us greatly through the editing process.

 

Part 1 - Opening Dance

- Two guys freestyle (Blue Background)

- Ben Close Up (Blue Background)

- Tunde Close Up (Blue Background)

- Tunde Extreme Close Up (Blue Background)

- Ben Extreme Close Up (Blue Background)

- Tunde Mid Close Up (Green Screen)

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Screen)

- Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Close Up Miles (Green Screen)

- Miles Wide Shot (Green Screen)

- Mile Wide Shot Right (Green Screen)

- Miles Close Up Shoes (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Close Up (Green Screen)

- Georgina Close Up Shoes (Green Screen)

- Connor Tap Close Up (Green Screen)

Part 2 - Old Skool

- Two guys clicking (Blue Background)

- Ben Close Up (Blue Background)

- Tunde Close Up (Blue Background)

- Tunde Extreme Close Up (Blue Backround)

- Ben Extreme Close Up (Blue Background)

- Tunde Mid Close Up (Green Screen)

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Shot)

- Tunde Connor Wide (Green Screen)

- Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Conner Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Miles Mid Left (Green Screen)

- Miles Mid Right (Green Screen)

- Miles Mid Straight (Green Screen)

- Miles Mid Both Sides (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shoot Right (Green Screen)

- Miles Close Up Shoes (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Close Up (Green Screen)

- Georgina Close Up Shoes (Green Screen)

- Connor Tap Close Up (Green Screen)

Part 3 - Dance

- Two guys feet kicking (Blue Background)

- Ben Close Up (Blue Background)

- Tunde Close Up (Blue Background)

- Tunde Extreme Close Up (Blue Background)

- Ben Extreme Close Up (Blue Background)

- Tunde Mid Close Up (Green Screen)

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Screen)

- Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shoot Right (Green Screen)

- Miles Close Up Shoes (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Close Up (Green Screen)

- Georgina Close Up Shoes (Green Screen)

- Connor Tap Close Up (Green Screen)

Part 4 - Old Skool break

            - Tunde Close Up (Blue Background)

            - Tunde Extreme Close Up (Blue Background)

            - Ben Extreme Close Up (Blue Background)

            - Tunde Mid Close Up (Green Screen)

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Screen)

- Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Ben Cane

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Mid Close Up Tunde MIC (Green Screen)

- Miles Mid Trumpet Flip (Green Screen)

- Miles Close Trumpet Flip (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shot Right (Green Screen)

- Miles Close Up Shoes (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Mid Close Up (Green Scren)

- Georgina Close Up (Green Screen)

- Georgina Close Up Shoes (Green Screen)

Part 5 - DANCE

            - Tunde Close Up (Blue Background)

            - Tunde Extreme Close Up (Blue Background)

            - Ben Extreme Close Up (Blue Background)

            - Tunde Mid Close Up (Green Screen)

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Screen)

- Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shot Right (Green Screen)

- Miles Close Up Shoes (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Close Up (Green Screen)

Part 6 - Break Short Old School

            - Tunde Close Up (Blue Background)

            - Tunde Extreme Close Up (Blue Background)

            - Tunde Mid Close Up (Green Screen)

            - Ben Mid Close Up (Green Screen)

            - Ben Wide Shot Low (Green Screen)

            - Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shot Right (Green Screen)

- Miles Close Up Shoes (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Mid Shot (Green Screen)

- Georgina Close Up (Green Screen)

Part 7 - Dance

            - Tunde Close Up (Blue Background)

            - Ben Extreme Close Up (Blue Background)

            - Tunde Mid Close Up (Green Screen)

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Screen)

- Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shot Straight On (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Mid Shot (Green Screen)

- Georgina Close Up (Green Screen)

Part 8 - Old School Outro

            - Tunde Close Up (Blue Background)

            - Ben Extreme Close Up (Blue Background)

            - Tunde Mid Close Up (Green Screen

- Ben Mid Close Up (Green Screen)

- Ben Wide Shot Low (Green Screen)

- Tunde Wide Shot Low (Green Screen)

- Connor Wide (Green Screen)

- Connor Wide (Green Screen)

- Mid Close Up Ben (Green Screen)

- Mid Close Up Tunde (Green Screen)

- Miles Wide Shot (Green Screen)

- Miles Wide Shot Straight On (Green Screen)

- Georgina Wide Shot (Green Screen)

- Georgina Close Up (Green Screen)

Evaluation of Shoot Day

Prior to our shooting day, we painted our set and got hold of all our costumes and props that we would need for the video. We spent a day in the studio previous to filming. During this day we painted the pillars and boxed for our set and built the steps along with setting up the white wash curtain, we then found all of our cast and chose which costumes fitted and suited them the best. all this preparation helped us alot and made the shooting day run alot smoother.

We started the day at 8.30 and had a group meeting to plan out the day and check everything was ready to go until 8.50 when our cast arrived at the studio ready for the days filming. We began by getting our first morning shoot ready, our cast came in on time and we were ready to start.

The day seemed to be becoming more exiting by the minute; we all had our shifts of working the play back, directing the cast and the camera and checking the light balances between each scene. The morning was taken up of our performance and the dance sections; we had already decided that in post we were to do a lot in silhouette so to make a crisp like we decided to film a lot of the dance more on green screen. 

One of the problems of the shoot was a general felling of nervousness amongst the group which unfortunately travelled to our dancers, this made them feel a little uncomfortable, after realising our mood was affecting theirs we had a short group meeting about how we were ok and how we needed to make sure that our cast were ok and not apprehensive. We put on a positive face and caried on with the day successfully. 

As the morning carried on we focussed on close ups and mid shots of the boys dancing and the Trumpeter. This meant that we could have our cast in shifts, so they wouldn't get bored of standing around and waiting for too long. They could then be alert and ready for when we need to film them. By the end of the morning we were able to wrap filming on the boys and Miles ahead of the afternoon where we would be using the girl dancers and our main star, Georgie.

After having a short break for lunch, we gathered our girl dancers and got them into costume and make-up, we then spent 10 minutes going over the dance with them and checking they had it down and crisp. We then went onto filming this section, the girls were really good, being performers they knew how to act to the camera and had a lot of personality which showed and made the shots look great. 

After wrapping the girls we focussed on shooting the main singer, this would be the focus point of our video and we needed to make sure this looked good. We had previously done a screen test of her and rehearsed her a little bit prior to the shoot. She was such a good performer and acted with such class and sophistication which worked really well for the style of the video. 

One particular aspect of the day i focussed on was the camera work. I really enjoyed being able to choose how to frame each shot. Even though we all took turns at each role, working the camera was definitely my favourite part to play.

Overall, the day went very well and we feel we have filmed enough shots to start editing together a rough cut, i really enjoyed the day and was able to use the skills i developed last year to help me with my directing and camera work this year. 

Photo's from shoot day!

Here is a shot of one of our flapper girls

Here is a close up of Georgie who portreys the role of Dottie

We thought about using this shot for one of our posters

This will hopefully be our CD pack cover



We edited this picture on photoshop



We changed the colour of this photo on photoshop. We really like this picture and want it to appear on our digipak

This might be the image on our poster

=

Feedback

A proficient presentation of the CD digipak design and the importance of album covers. I feel that you could have developed research more into the conventions of Album digipak's and addressed layout and design more closely. Excellent initial design's into CD covers for your group artist and good consideration to target audience. Please do spellcheck your posts and use capitals where necessary at all times.

Album Artwork Research Powerpoint

https://docs.google.com/present/view?id=dfp3q3jt_233hh2h9jdp

A New Idea

We had a 'light bulb' moment today with ideas and set designs. We thought of starting the beginning of the music video with a long tracking shot of the woman walking around pillars. We would start the video with a wide shot of some Hollywood dancers running and crossing over. Then we would see the main girl walking down a wide staircase and then tracking her walking around different pillars with objects on them. A bit like a museum with articles from the narrative on it.

There would be 5 pillars with different objects on them:
1. The zoetrope
2. A photoframe with a crack down the glass and a picture of the husband
3. Jewellery (pearl falling down the side)
4. A Cigarette holder, ashtray and lighter
5. The silhouette dancers fedora hat.

As she passes the final pillar we see her look into the Zoetrope and spin it - this leads us into the following shots of silhouettes dancing much like the Coca-Cola advert:



Our dancers would include the following:
Bethany Quinn
Sophie Ritter
Jess Wilson
Paula Riemann
Megan Flook
Georgina Clarke

Feedback

This is highly proficient work - there are evident clear accounts of your planning and research for your music video production day after half term. You have persevered with completing the work this week, well done.

 I like the way in which decision making is evident along with reflection and revisions.  

You have provided a cast list and you some excellent work on set design.  

There are one or two ways to develop the blog.  First to begin using a wider range of blogging tools, if you can - there are lots of well presented images, but use of Flickr or powerpoint will increase the creativity that is shown on your blog.  

Second the valid, detailed and reflective comments that you make need to be developed further with  key media concepts and theoretical ideas;  for example, link the planning to star image,  or how set design and lighting link to mise en scene and/ or what model's of lighting you are using in relation to your set - key, fill, directional, discuss the intensity and colour and what you are trying to represent about your artist.

This will help make a more thorough evaluation of your work. 

Well done.

Shooting Schedule

08:30 AM: Gather cast and crew and talk through day

08:45 AM: Get into Costume/Makeup (Heather)

09:00 AM: Set up camera/tripod e.t.c 

09:15 AM: Start shooting close ups of Lead Singer

09:30 AM: Start shooting wide shots of Lead Singer

09:45 AM: Shoot the Zoetrobe (Close Ups/Mid Close Ups/Wide Shots)

11:00 AM: Wide Shots of Dancers on black rostra.

11:15 AM: Mid Shots of Dancers on black rostra.

11:30 AM: Dolly shots of Dancers on black rostra.

11:55 AM: Sillhouettes of Lead singer (poses against white backdrop)

12:15 AM: Breaking jewellary (Lead singer) to be reversed in post

12:30 AM: Coins falling to be reversed in post

12:45 AM: Lunch Break

01:20 PM: Finish Lunch and meet back in studio to get back into costume e.t.c

01:25 PM: Shoot Gramaphone with record on.

01:35 PM: Shoot DJ Decks and scratching.

01:50 PM: Shoot sillouettes (Mulitply slowly in post) against white.

02:15 PM: Ben & Tunde cleaning shoes (Close Up/Mide Shot)

02:30 PM: Roullette wheel spinning (be reversed in Post)

02:45 PM: Chair Crashing to the floor

02:55 PM: Shot of China Plates Falling and Smashing (Plates/mugs/glasses e.t.c)

Set and Lighting Designs

We had to think up some set and lighting designs for our music video and came up with the following to fit our idea and the concept we had:



Here is a design of our zoetrobe where we will show images of African American artists from the 1920's-40's, they will be still images but the zoetrobe will make them look like they are oving through either post production or by making a large zoetrobe and filming images which we made on photoshop before the shoot day.

This was one of our set designs for our original idea however now we are not using an actual band, so this set design will only be useful for the shots we plan on having with the main female singer.

This is a set design for the platform where the silhouettes will be dancing. We will need to back light for these shots.

Here is an image of the main singer, she is being light by a spot to show what performances were like in the era of our video. It shows her off to be very glamorous.

Here is a set design of the basic white walls where we will set the main singer and prehaps place the zoetrobe.

A Zoetrope

Our main problem with the idea was our main message about how black music has influenced our music today was becoming difficult because we were struggling on finding people appropriate to play the parts as the cast would have to be able to play the instruments and be of the right race.

 So we decided to think about the idea of using images of Black music legends and introduce them into our video using a cool way to present them. A ZOETROBE. This would enable us to try and create moving images of stars that have influenced music into our video aswell as using our own castings to show other aspects for example DJ’s and Dancing. Artists like Louis Armstrong, stevie Wonder and George Walker.

Here is a clip of a traditional Zoetrobe.

This example shows how the ZOETROBE works when we see the flickering and not when we see the images spin without the break between the two different images, enabling us to differentiate subconsciously and see a moving bird.

This is another idea of how to present a ZOETROBE within a music video. The images repeat around a song and a video.

Sony created the largest one in the world that i belived to be the most impressive of all of the ones i looked up and researched. it was smooth and looked alot like an acxtual film, althouogh we want to have our Zoetrobe looking old and authentic i used this as a good referance towards our idea.

Music Video Anamatic and Evaluation

After thinkning up our concept  we had to come up with some storyboards to help us when we came to shooting the video. We wanted to show the racial sefregation in the 1920's and how it has changed in modern society.

Once we had drawn up some of our storyboards we realised that we didn't have a strong enough narrative, we came up with a few different idea's revolving around the history of the 1920's. An idea we story boarded was how the main singer's husband had lost all their money gambling and was now a 'bum'. However once we had filmed the anamatic we realised that this was really cheesy and wasn't a neccessity in our video. Therefore we had to come up with another narrative and decided that this would be done through the performance rather than separately. We looked into the history of African American artists and decided that their influence over music was a good narrative to follow.

We started off by thinking that we could use Black men to be in the band but then realised this wouldnt work that well as they wouldnt be able to play the instruments properly and the video would end up looking awkward. This was when the idea of a Zoetrobe was first introduced. We thought about using images of black artists playing the instruments and taking lots of different frames of this and then animating it in post production.

We filmed our anamatic story board one frame at a time and then edited it to the song. This was slightly problematic as there are many versions of the song available to buy, and we got hold of the wrong one so werent able to edit our anamatic as accurately. Once we finally found the song we edited the anamatic to it as best we could, but it was still a bit our of time with what we wanted and some of the shots diddnt fit. We realised we diddnt have anywhere near enough shots or ideas and would therefore need to generate alot more in the comming weeks before shooting the music video.

Over all, the anamatic was useful as it showed us many mistakes we had been making, however our final peice wont look much like the anamatic which is annoying as we dont have much of an idea about how our video will look when edited all together. We can use the anamatic to see which shots worked and the ones that we want to keep.

Costume List

1920's elaborate/expensive/illusive dress (central character)inc. hat. - this shows her to be slightly spoilt and of a high status which helps to portrey our intended characterization.

2 lower class working outfits - these will be used to highlight the difference between the lower class men and the upper class man

Upper class gentlemen’s suit - will show he is superior to most others in society

Prop List

Double bass - for the band as it features heavily in the song

Trumpet - for the band as it features heavily in the song

Trombone - for the band as it features heavily in the song

A platform - For the dancers and the band to be used in silhouette to add height and distinction to these

DJ Decks - to show the contrast between old fashioned gramaphones and modern DJ decks and to show how music has changed over the century.

A gramophone – 20’s styled - to show what old music was played on, it also adds a cool shot and contrasts with the modern decks used later on in the video.

Old fashioned microphone – 20’s styles - it matches the style of the song and the era we are trying to portrey


A Zoetrobe (possible) - this adds cool effects and allows us to be more free with the images we use of African American artists from the past instead of having to recreate these images with a cast who won't fit with the intended images.

Cast List

Georgina Morton - 1920's woman

Tunde Ogundare - Working Class man / dancer

Ben Ikanade-Agba - Working Class man / dancer

Connor Vickery - Upper class man / dancer

Glen Pegado - Working Class man / dancer

Our original idea included:

Lizzy ward thomas - Band

Bella Neal - Band

Bethany Quinn - Band

Feedback

Your response is detailed and through and you have been creative with your blogs, I particularly like the use of  layout and esign.  You have a secure knowledge and understanding of who you want your artist to be signed to; perhaps you could link this further by stressing the advantages that your artist has signed to the particular record label. 

Your clearly identify your target audience and have profiled them concisely, these needs developing.  Good research into CD covers and you have a wide range of examples, and this would be developed further if you can link the real product to how it will influence your own designs.

You need to read the article on the musoc indsutry and develop your understanding of the type of record your artsist would get a good deal with.

Research and Evaluate the instituational context of your artist

When looking into a record company for our artist we had to consider the genre of her music, following the route of Techno Swing, we felt an independant record label would be best for our artist. The songs that are signed also are probably songs used in club mixes and dj's for example dance trance music and techno swing music. it will be a minor record company Hoxton Whores is a company likely to sign them because of their signed artists are similar to Renee’s song 'Why Don’t You Do'

The target audience of the video would be around 14-30 as it is old style which may bore younger audiences but then turns into a modern remix which would interest those of a slightly older audience. It may secondarily be interesting to an older audience as it is an old song with a modern twist - the older audience may recognise the original song and therefore be intersted in the new updated version, however they may not like this as it differs from the original swing era to the techno-swing era.

The song will interest the audience as it may be layed in clubs which will appeal to the young adult audience who spend their weekends socialising and at parties. The slightly younger audience will like it as even though they are too young to be at a club the song will be played on popular radio stations that the target audience will most likely listen to on their way to and from school.

Video Timeline

00.01 – 00.10 – Shots of flapper dancers

00.11 – 00.30 - tracking shot of main artist Dottie

00.31 – 00.35 – Shot of trumpet player

00.36 – 00.40 – White upper class dancer shots

00.41 – 00.43 – Shot of feet

00.44 – 00.50 – Zoetrope and stick

00.50 – 00.55 – Shot of White male dancer looped over each other

00.55 – 00.57 – Shot of working class dancer

00.58 – 00.59 – Trumpet player shot

01.00 – 01.05 – working class dancer shot with effects to loop

01.05 – 01.15 – tracking shot of Dottie

01.16 – 01.20 – Trumpet player clicking

01.21 – 01.30 – Close up of Dottie singing

01.31 – 01.36 - Varying distance shots of trumpet player

01.37 – 01.40 – silhouette of Dottie

01.41 – 01.46 – Effects on working class dancer

01.47 – 01.48 – Trumpet player in silhouette

01.48 – 01.59 – Zoetrope with hat

02.00 – 02.03 – close up of feet dancing

02.04 – 02.10 – Upper class man and Dottie dancing

02.11 – 02.14 – Silhouette of Dottie

02.15 – 02.19 – Close up of Dottie

02.19 – 02.21 – Close up of trumpet

02.22 – 02.29 – tracking shot of Dottie

Some images from our storyboard

Similar CD Covers

Before starting to design potential CD covers, i had to look into others of a similar type from previous artisits. I started by looking at the original version by Lil Green, it didnt really fit our idea's for our video but i did like the simplicity of the cover, and the basic black and white image with red and green writing, the writing was bold and stood out. I can take a few idea's from this cover, but over all it wasnt the right image. The image shows the star off to be a powerful woman who is very glamorous. The cover would help attract the target audience as it is sophistaced and the colours add a jazzy element to the cover.

Next i moved on to looking at the cover from the Peggy Lee version of the song. This cover was far more fitting, i really liked the slight Warhol element of the image as i think it really fits the era we are hoping to go with, i liked the font of the Peggy Lee text and will use something like this in my possible CD cover. For our style of video, the cover is a bit too colourful although this may be nice as it would completely contrast with our black and white style video. The CD cover helps portrey Peggy Lee's womanly image and the chosen colours are feminine and dainty. The star image shown in this image is girly and pretty, a stereotypical woman in the 1920's. 

Then i looked into the actual cover for the official song and noticed that it was very similar to the Peggy Lee version in the 40's. The image is of different colours but has a very similar image on the front showing off a stereotypical housewife of the early 20th century. The image is fairly derogatory of women which would appeal to the modern young men in the target audience. The cover would also attract the target audience of 14-30 as it looks sophisticated and cool. i like how the background is in colour but the star on the front is in black and white.  I think this is a really good idea and may use it in potential CD cover ideas as it matches the style of our video. The star image given off from the cover is very glamourous and flirtatious.

The next artist and cover i look at was one i had previously researched, Jamie Cullum modernises songs from the 1920's era. This cover is simple and effective. The pain white background works really well against the black letters of his name and the album name, having him dressed in dark colours also makes him stand out in the image. The picture of the piano being destroyed is very stylised and looks very classy yet rebellious. It would attract it's target audience as it shows the simplicity and sophistication of his music with a slight rebellious twist represented by the piano. I like the simplicity of the album cover and think it would work well with our intended artist and audience.

Another cover i looked into was 'The Best Of Peggy Lee'. This was interesting to research as the artist is the same as the one who our original track was from. Her image is very similar in this to the cover of the single 'Why dont You Do Right?'. Her image is sophisticated and girly, this is highlighted by the fact that her text is in pink and white - stereotypically girly colours. I like how there is a picture of her in the background on stage and think this would be good to use in our CD cover.

Michael Buble appears to a young and old audience as his music replicates old fashioned music, which is in fashion. The artwork is similar to Peggy Lee's and Focuses on Michael Buble as they need to portray his image. The font is also classy, which portrays his classy brass and orchestral driven music. From the artwork we can tell the album isnt going to be pop as it looks serious and the colours are dark and faded and mainly because Michael Buble is sporting a Suit.