The sophistication of the planning for our basic preliminary task compared to our main task meant that we could go go much more indepth with moulding the project into our own. We spent alot of time planning the location of our project. At first we phoned and emailed many existing locations like the abandoned Aldywich tube station, a mental asylum and the Imperial War Museum London. When we discovered that this idea would be too costly, we decided to make our own set and dress it with props that we bought or found ourselves. For our preliminary task we were given a classroom to film in, we didn't have to worry about where to film our sequence.
Once we had decided on our set we had to think about what we would use to fill the space. We knew that the props had to be fitting to the time period of 1940's and the location of London so we based our idea's around that. We bought several props from the War Museums gift shop and got the others from family or friends who had artifacts left over from the second world war. Before our prelim we didn't bring props to use. The props we included were found in the classroom and just thought it would make the sequence more interesting if we included them.
When it came to casting we had to think intensely about who would star in our project. We needed someone that we could rely on, someone who fit the part and would be patient as we would be spending the day filming, which would involve them waiting around for some time in between shots. Whereas in our prelim task we only had one hour to film, our cast didn't have much to do apart from say a few lines and act believably. We chose our cast for the prelim on the day of shooting whereas we booked our cast for our main task 3 weeks before.
Each shot of our preliminary task was very basic and consisted of a few wide shots, close ups and an establishing shot. These were easy to execute and were enough for the simple storyline. The storyboard for the prelim was already set and we knew exactly what had to be done. When it came to the main task we had to make our own storyboard and include more complex shot choices. When creating our storyboard we knew we wanted to include a wide shot to show off the set that we had sent hours setting up. We also wanted to include a tracking shot over all the props we had bought. We also wanted the story to be told through visual elements rather than dialogue.
When making our prelim task we only knew the basics of rule of thirds and 180' rule. This restricted the camera work in our sequence and kept it to a basic level. We tried to remember the 180' rule but broke it once. When it came to our main sequence we remembered never to cross the line and to check that we hadn't in every shot. In our opening shot we placed the little girl in the first thrid of the rule so she would catch the audiences attention as she was the most important part of that shot. In the end of the sequnce we cut from a shot of the archeologist looking up with a shot of the little girl looking down, we made sure that they had an eyeline match.
The progression of sound has dramatically changed since the preliminary task. Firstly, in the prelim we only used dialogue that we recorded from the microphone built into the camera. This offered us the technology we needed to add dialogue to tell the story of the sequence. When it came to our main task we used different programs and technologies to make the soundtrack of our sequence. We used Soundtrack Pro to get pre recorded sounds of bombs and airraid sirens and dust falling. There was no dialogue in our sequence, so we didnt have to worry about capturing that. We used a boom microphone to capture the sound of the air-conditioning of the room so that if needed we could run that throughout the sequence for effect. We also used the boom to get the natural sound of the sequence. For the modern day part of our sequence we used Logic Pro to record a soundtrack of drones, drums, and sci-fi sound effects to build tension to the climax of the sequence.